how many raindrops?
One rainy day in May, 2014, a whole bunch of seemingly unrelated but absolutely absorbing events happen. A 13 year old girl with epilepsy tries not to lose herself contemplating how to count all the raindrops in the sky; a gangster initiates a strange new recruit; a hard-boiled detective contemplates his love affair with LA; in Singapore, weird shit is happening; in Texas, weird shit is happening; plus several other plotlines. By the end of this book, volume 1 of 27 (!!), very few of the stories connect in anything but general atmosphere, but like the engaging serial TV dramas it evokes, I can’t wait to figure out how to they all come together.
how many raindrops how many raindrops how many
Mark Danielewski of House of Leaves fame, occasionally accused of gimmickry, is known for breaking down the traditional novel format by altering typography and spacing to match the narrative content, inserting images, changing text axises (causing you to flip the book around at various angles), and literary-mathematical puzzles. House of Leaves example: Characters crawling in a tight space means the text itself shrinks and takes up dramatically less space on the page. For several pages. The Familiar example: Xanther, our epileptic and anxiety-ridden protagonist ponders how to plot the number of raindrops falling from the sky and the text itself is twisted into falling rain, puddles. As Xanther’s unease mounts, the image is rearranged to confuse the eyes and trigger her anxiety in the reader. It works!
Likewise, characters spend a lot of time thinking, especially Xanther’s parents, and their thoughts are distributed in nested parentheticals (It’s occasionally hard to read (but it’s more like people actually think (do you reflect in clear sentences all the time?)) that do a great job of revealing character’s desires and concerns (thus ends my example of nested parentheticals)).
how many raindrops
Sometimes you’re reading one sentence or one word per page. This arouses an immense and inexplicable amount of hostility from some readers/reviewers. Like challenging form is some kind of literary offense. Danielewski’s single word pages have delivered superior content to many five hundred word pages I’ve read. One thing I will allow: Danielewski is a skilled writer, but it is the style and composition of the novel that is his unique and lasting skill; the multi-plotted storyline of The Familiar is reminiscent of other authors (David Mitchell comes to mind immediately) and while it’s quite good, it wouldn’t stand up as well as a standalone vanilla text. But the style is not an affectation — it’s deeply rooted in the conception of the novel itself — wondering what The Familiar would be like without all the stylistic, typographic, and narrative quirks is missing the point.
Danielewski is a nerd. All his books pull deeply from sci-fi, fantasy, and horror. Pulp detective stories. A plot line in the book involves Xanther’s dad, a video game dev, and there’s segments of his code on pages of the book, discussion of which physics engine to license. The Matrix is key. There’s a hilarious aside where the dog-fighting gangster character, Luther, compares his life to that of Michael Vick. Indeed, Danielewski does not shy from current events — the characters engage with modern smartphone tech: skype, instagram, etc. It shortens the gap for the made up social media apps in the novel, which will absolutely become more important in future volumes.
Future volumes I will assuredly read. I love this stuff.