Published in 1989, many years before Infinite Jest, Consider the Lobster, or Brief Interviews with Hideous Men, this collection features a younger DFW writing about younger people in a voice he hasn’t totally solidified or claimed yet. As a result, it’s more diverse, less experimental with some of the clearest and only examples of stories he wrote that were pure narrative fiction, free of literary affectation (mostly) or authorial asides. A complete absence of footnotes, even.
A list, not comprehensive:
Should be a movie. I can see it. Plan the camera angles. Especially the buzzards. Plenty of buzzards in this one.
John Billy starts off with the first person narrator, John Billy, telling a story to an addled tornado-watcher in an Oklahoma bar about the larger-than-life characters of town. At first I thought DFW wrote this simply to make fun of southern stereotypes. But this attitude quickly fell away, so completely engrossed as I was in the small-town politics slash olympian feats of the herculean Chuck Nunn Jr., the blackly villainous T. Rex Minogue, and the cast surrounding them. The southern backdrop is there as a stage for American myth, not just humor.
It’s a weird story to come from DFW. All about myth, our worship of the land and its composite dust. See the cosmos through the plotted field. Not his usual topics of interest. Some might complain when the ending dives into metaphysical silliness and doesn’t entirely wrap up, when what is real and what is not are tossed into a blender, but I found it a perfectly apt conclusion to what the story set up.
Girl with Curious Hair
This story is hilarious. It gets across the point of American Psycho (and precedes it) in a fraction of the words. A wealthy member of the Young Republicans Group hangs out / is fellated by his nihilistic punk rock buddies, and he’s just so happy. Black humor at its finest.
Lyndon. Like LBJ, 36th president of the United States. One of the many unlikely subjects found in these stories. We see Lyndon through the eyes of his fictional mail boy, and later close confidante, David Boyd.
This is a story about love. And duty. LBJ is a workaholic obsessed with doing the right thing by the country, while also being a kind irritable blowhard assured that he’s the only one that’s ever right. The love part is the relationship between Boyd and the president. Not sexual or romantic love, as LBJ is straight and loves his wife and Boyd is gay and maybe doesn’t love his partners, but tries. There’s a bond between them. Based on a shared sense of duty, work? LBJ as a slide in father-figure, the ultimate patriarchal/presidential role?
Most striking of all is just how believable this all this. Following the story’s close, I immediately went to Google to check if David Boyd existed. He did not. Which is impressive. Also not the only fictional character in this collection with the same first name as the author…
Westward the Course of Empire Takes Its Way
I started this story and instantly knew it would be the weakest one. It was borderline insufferable. DFW getting too cute. Three disaffected and unlikeable graduate students embark on a plane and cab journey to reunite with several thousand people for the reunion of Every Single Person Who Has Appeared In a McDonalds Commercial, Ever. There’s lots of grandiose statements on what’s wrong with our generation, coupled with a whole bunch of other musings on what’s wrong with our writing programs and contemporary american literature in general. It’s smug and sort of clever; the oppressive flavor of clever that makes you want to vacate the room.
I flipped forward a few pages to see if it ended soon, a common practice of mine. I noted the title still on the top right of the page and frowned, but returned to my place. A dozen pages later I did the same thing. It didn’t seem to end. I rapidly flipped through fingerfulls of pages looking for the end, only to realize with a sinking feeling that it was the entire rest of the book. It’s like 200 pages, nearly a novel in its own right. Half the collection! I thought this book was an instant favorite and now I had to come to terms with the gross, abominable growth attached to its backside.
A funny thing happened about halfway through, though. My boredom and distaste with the story began to metastasize into something else entirely. When I realized the commute of the three students, plus Ronald McDonald and his dad/creator, was never going to end. That they would swirl in banal misfortune and their own solipsistic misery forever, I found myself somehow soothed. It still wasn’t very good, but its misery and repetition became comfortable.
*Exception being that book he wrote about math. Skipping that one. I think.