This is a review of the first two books of the Terra Incognita series. I suspect they might have even been one book originally, given the title of the first does not make sense until the conclusion of the second.
Forget Sci-Fi. While taking place in a utopian future, amidst self-driving flying cars, smartphones embedded in people’s’ ears, and innovative forms of government, this series only dimly feels like it occurs in the 2400s. It feels unstuck in time. Most of the characters are immersed in Enlightenment philosophy. Several even dress like they’re from the 18th century, speak like it!
The story, written from the first person perspective and in the reader-aware style of the eighteenth century, follows Mycroft Canner, a convict. In the future, convicts must travel the land providing service (“Servicer” Mycroft) in exchange for food. Like many aspects of Palmer’s future wherein liberalism has spun out of control, it sounds nice and humane at first but is gradually revealed as borderline slavery. Anyway, Mycroft narrates the story, told over a few days. There’s various hi and lo-tech tricks that allow us to see the points of view of other characters, but Mycroft is our primary point of contact. It makes the eventual reveal of why he is spending the rest of his life in servitude all the more chilling and impactful.
Too Like the Lightning, by necessity, must spend a good deal of words setting up the universe, with its combination of future tech, Enlightenment worship, extensive social and economic cause-and-effect chains, etcetera etcetera. This new government-nation evokes ancient Rome and its notions of citizenship and rule. Europe is run by a Parliament… but also the King of Spain. Here’s five other world governments too. P.S. since the planet has been geographically decentralized (flying cars at impossible speeds), nobody is tied to their birthplace anymore but can choose whom they owe allegiance too.
While fascinating, it does make for rather slow reading. Characters are developed and the plot put in motion in between lengthy segments of world building (and philosophy). While I liked it from the start, book 1 became dramatically better once I understood the basic tenets of the world and the last quarter of the text rockets forward, the dominoes falling rather than being stacked up.
What is stunning about book 2, Seven Surrenders, is that despite being action-packed, there’s very little action at all. The pacing is driven by conversation, by political upheaval, by personal vendettas between powerful people and their world-spanning fallout. Dialogue-as-action spouted by characters 400 years in the future dressed as characters 200 years in the past! It’s weird! And really good.
Ada Palmer, as she notes in the afterward, is interested in continuing the great Conversation, as started by Voltaire. The events and characters of Terra Ignota are set up so that questions asked are either timeless: what level of sacrifice or violence is acceptable to preserve the safety of the whole? What freedoms and forms of expression ought to be given up to prevent violence and division?
Other questions point more directly at our current moment. Gender is crucial to both the understanding of the world and the plot itself. Gender is a topic of high-interest in science fiction currently. We’ve seen a mass revival of the themes from Ursula’s LeGuin’s The Left Hand of Darkness, wherein a people (or all peoples) of the future have only one gender. It’s typically interesting but feels highly reactionary to the present moment of history wherein hard-right institutions, both legitimate and not, are on the rise. Don’t get me wrong, this is far from a bad thing. But it can also feel overly simplistic, too desperate to demonstrate how wonderful a gender-less future would be that it doesn’t feel genuine. I noted this when I read Anne Leckie’s Imperial Radch series, which left me wondering if everyone in the future is bisexual.
Terra Ignota seems like this at first. Everyone is a ‘they’. If not outlawed, overt genderism is seen as unethical or at least highly distasteful by the population at large. It slowly becomes apparent, however, that by acting like gender does not exist the people of the future just buried the problems of the past rather than truly unpacking and understanding them. This isn’t shoved in your face (at first) but gradually unrolled, like most of the series’ best points.
If it wasn’t clear yet, I thought these books were excellent. The best series I’ve begun in a very long time. I never rush out to get the next book but I did here, eager to find what happened next in this weird utopia on the brink. It was innovative and original and I wish every science fiction novel I picked up was such an opportunity to journey somewhere new.